On a sultry afternoon in the summer of 1936 a woman accidentally interrupts an attempted murder in a London hotel room. Nina Land, a West End actress, faces a dilemma: shes not supposed to be at the hotel in the first place, and certainly not with a married man. But once it becomes apparent that she may have seen the face of the man the newspapers have dubbed the Tie-Pin Killer she realises that another woman's life could be at stake. Jimmy Erskine is the raffish doyen of theatre critics who fears that his star is fading: age and drink are catching up with him, and in his late-night escapades with young men he walks a tightrope that may snap at any moment. He has depended for years on his loyal and longsuffering secretary Tom, who has a secret of his own to protect. Toms chance encounter with Madeleine Farewell, a lost young woman haunted by premonitions of catastrophe, closes the circle: it was Madeleine who narrowly escaped the killers stranglehold that afternoon, and now walks the streets in terror of his finding her again. Curtain Call is a comedy of manners, and a tragedy of mistaken intentions. From the glittering murk of Sohos demi-monde to the grease paint and ghost-lights of theatreland, the story plunges on through smoky clubrooms, tawdry hotels and drag balls towards a denouement in which two women are stalked by the same killer. As bracing as a cold Martini and as bright as a new tie-pin, it is a poignant and gripping story about love and death and a society dancing towards the abyss.